Tag: Sheffield Zine Fest

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An interview at Zine Love (plus Sheffield Zine Fest update)

You can read a quick interview with me over at the Zine Love blog, produced by Friend of Colossive (Platinum Class) Iestyn Pettigrew*. Thanks to Iestyn for his patience!

It includes (but is in no way restricted to):

Tomorrow’s a big day – our second-ever zine fest, and the first that’s not a single bus ride from our house. If you’re anywhere near the Workstation in Sheffield tomorrow (Saturday 18th May), please come and see us!

We’re really pleased to be launching two new bits of work: 3:52AM, a perzine of words and photography by VJ Sellar about the experience of insomnia; and Things My Dad Saw (But Never Bothered Mentioning), a collection of Gordon Gibbens’ photos of the stranger side of London life. Plus, we weren’t sure we were going to be able to pull this off, but there’ll be a special treat for fans of Tracey Pitcher…

* Obviously this egregious display of mutual back-scratching will do little to allay the suspicions of those who think we’re part of the Secret World Small Press Government.

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“Being awake in these dead hours is not always a torment”: VJ Sellar on 3:52 AM

Guest blog by VJ Sellar, creator of 3:52AM

I took the photographs and produced the text for 3:52 AM as a way of passing time in the early hours of the morning, during a recent bout of insomnia. Although I’ve never been a brilliant sleeper, it’s got worse in the last couple of years – a side-effect of the medication I was prescribed when I was diagnosed with breast cancer a couple of years ago. Any time between 3:30 and 4am is the worst time to wake up – too soon to have had a decent night’s sleep, too late for that still to be a prospect.

When I’m awake in the early hours of the morning, I generally pick up a camera (mind you, I generally pick up a camera when I’m awake, whatever time it is). Being awake in these dead hours is not always a torment. Sometimes I get the impression that the normal boundaries I exist within have disappeared. None of the pressures of being awake in the daytime (work, money, life…) seem to exist. It can be very liberating and allows me to find new opportunities for expression.

Of course, photography is not a recommended cure for insomnia. You’re supposed to distract yourself with something mindless and soothing – activities which don’t stimulate the mind – until you start to feel sleepy enough to go back to bed. Photography, on the other hand, provokes all sorts of questions, and by the time you get to the end of a shoot you might as well have had several cups of coffee for all it’s going to help you sleep. But it does take your mind off time passing.

All the profits from the sale of this zine are going to the Maggie’s Wallace Centre at Addenbrookes Hospital in Cambridge. Maggie’s Wallace is a brilliant organisation, which provides practical, emotional and social support for people affected by cancer, in a friendly and non-clinical setting. I visited them a couple of times a week for two or three months when I was recovering from treatment. Raising money from the sale of this zine is a very small way of paying back the help and support I got there.

3:52 AM will also be available at the Sheffield Zine Fest on Saturday May 19th.

For more of VJ Sellar’s photography, visit her Instagram page

 

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Cover reveal: ‘Things My Dad Saw (But Never Bothered Mentioning)’

It’s been all hands/paws on deck here at Colossive HQ ahead of the Sheffield Zine Fest on May 18th!

We’ll have a bit more on 3:52 AM in the next few days, but today’s exciting development is that we’ve sent Things My Dad Saw (But Never Bothered Mentioning) to the printers.

It’s kind of a follow-up to How Graffiti Saved My Dad’s Life (At Least for a While), drawing again on the incredible photographic archive of Jane’s late dad, Gordon Gibbens. However, rather than graffiti and street art, this is a look at some of the stranger things he encountered on his perambulations round the capital.

Jane has written an introduction, and we’ll be posting a few more teasers in the run-up to the launch at Sheffield. Keep an eye on our social media. We’ll obviously have it for sale on here as soon as possible, as well. As with How Graffiti Saved My Dad’s Life, all the profits will be going to St Christopher’s hospice in Sydenham.

In other news: sorry if you were waiting for the rumoured two-colour de luxe riso edition of Skating for Godot. It turned out to be a lot more eye-wateringly expensive to produce than I was anticipating. How do people afford to do a whole comic by riso? Thanks to Tracey P for being so characteristically stoical about the whole thing.

On the other hand, the bits have arrived to produce more copies of High Precision Ghosts 1: Incident on Dilke Street, so we’ve got a nice bit of trimming, folding and stapling ahead of us.

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Sheffield Zine Fest – Saturday 18th May

After our triumphant debut at last year’s Catford Comic and Zine Fair, we’re very excited to be bringing the Colossive Experience to this year’s Sheffield Zine Fest.

As well as our Now Legendary backlist of goodies, we’ll be giving a public debut to 3:52 AM by our brilliant friend VJ Sellar. It’s another little gem of a zine, combining words and pictures to evoke the experience of insomnia. And all of the profits from it will go to the Maggie’s Wallace Centre in Cambridge, which provides free practical, emotional and social support to people with cancer and their family and friends.